Painting, photography, and code as a single ongoing investigation into perception, memory, and what persists across mediums. Northern California studio. Analog materials. Digital architectures. Same question, different instruments.
A collection in flux. Examining the integration of shadow aspects through abstract paint tendencies — how repressed collective memories surface, and what happens when you refuse to smooth them over.
Written reflections tracing the dialogue between painting, psychology, and mysticism — what emerges when intuition becomes method.
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